The recent trend of people in their 20~30s is to go on a trip with a 'trip mate'. Through various social network communities and apps, it is possible to find the right 'trip mate' and go on a trip that can advance into something more than just friends. 4 comedians and 4 women go on a trip around Korea to see if this adventure can venture into something more.

朱恩（June）在哥哥去世后搬到意大利，寻求新的开始。在她的新精英学校里，她被詹姆斯（James）吸引，詹姆斯是个勇敢却危险的人，卷入了非法综合格斗（MMA）比赛，但她却开始和詹姆斯最好的朋友威尔（Will）约会，威尔是个完美的模范学生。然而，表象具有欺骗性，朱恩很快发现学校里的人都并非表面那样，每个人都隐藏着秘密。随着紧张局势加剧，隐藏的真相浮出水面，朱恩需要决定自己的心真正属于谁。

朱恩（June）在哥哥去世后搬到意大利，寻求新的开始。在她的新精英学校里，她被詹姆斯（James）吸引，詹姆斯是个勇敢却危险的人，卷入了非法综合格斗（MMA）比赛，但她却开始和詹姆斯最好的朋友威尔（Will）约会，威尔是个完美的模范学生。然而，表象具有欺骗性，朱恩很快发现学校里的人都并非表面那样，每个人都隐藏着秘密。随着紧张局势加剧，隐藏的真相浮出水面，朱恩需要决定自己的心真正属于谁。

暂无剧情简介

失去母亲的小男孩终日郁郁寡欢，继父不知该如何安慰。当他得知继子喜欢上学校里最美的女孩，便热烈地鼓励儿子去追。小男孩为了赢得小女孩的关注，废寝忘食地练习架子鼓，只为了在圣诞节的晚会上能与她同台演出。勇敢的他，甚至为了最后的一记道别潇 洒地突破机场的安检区。 两个孩子的母亲面对了婚姻危机。丈夫感情出轨，把项链送给了别的女人，给她的，则仅是一张她热爱的女歌手的CD。她找了借口仓皇躲入卧室，在歌声中隐忍啜泣。转个身，又夸张地大笑着，迎向娇女爱子欢喜的面容。 丈夫最终幡然醒悟。

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A rooftop party for two, a brother and sister celebrate their love. She has escaped from a violent husband but her scars run deep. She makes the ultimate choice.

Ana comes back to see her mother for her birthday after two years apart from each other. The reunion will be painful, because not everything is what it seems, and the pain that hides a mother and a daughter is one that never goes away.

At the end of summer, Clémence tells her ex-husband that she’s had relationships with women. Her life is turned upside down when he files to strip her of their son’s custody. Then begins a struggle of several years for Clémence to defend her right to be a mother and a woman – free to make her own choices.

They love me / They love me not / They love me recalls a childhood ritual of seeking emotional certainty in an uncertain world. In an era of digital, emotional and urban noise, the film offers a slow, physical meditation on how we hold complexity. Performed by Juno award-winning musician and composer Ben Brown, the film helps us re-imagine the modern drum solo by using movement to communicate the energy of sound. 　　Filmed in Vancouver, BC’s Downtown eastside the film traces a journey from the streets to the studio. Sounds spill from the drum kit into the streets playing with our perception of noise, disorder and sacred space. The contrast between Vancouver’s raw street energy and the sterile stillness of the studio raises critical questions about how the broader world lives inside us—even in our most private rituals. A mostly improvised performance, this piece seeks to find solace in the unknown by asking not “who loves me?” but: “how do I live with the not knowing?”